Friday, October 10, 2014
Room 3150, College of Liberal Arts, Towson University, 8000 York Rd, Towson, MD
Free and open to the public
See details: http://events.towson.edu/event/geopoetics#.U8xUOHTD_IU
Geopoetics: Poetry in Geography and the Place of Poetry
Geography, literally meaning “description/writing of the Earth”, and the art of poetry, are both brought together here to express the important symbolism of place. Both can be used to show how places are experienced and interpreted through metaphor, subtleties, and descriptive dexterity. There is poetry in place, and there is a place for poetry in geography. Places can evoke powerful emotions in people. And such emotions can provide innovative and compelling approaches to helping us understand the intricate layers and perspectives in geography. This multi-and-interdisciplinary discussion strives to understand the experience of place and the important intersections between geography and poetry.
John Hessler, Library of Congress, “In Parry’s Shadow: Ramblings on the Poetics of Geographic Space”
Introduction by Michael Ratcliffe (U.S. Census Bureau)
Readings by Poets:
Art by Mark Cottman
Complimentary wine and hors d’oeuvres will be served
Sponsored by the Department of Geography and Environmental Planning
John W. Hessler is a Fellow of the Royal Geographical Society and Curator of the Jay I. Kislak Collection of the Archaeology and History of the Early Americas at the Library of Congress. He is the author of over 100 articles and books and has written extensively on archaeology, cartography and the environment. His research has been featured in national media outlets like the New York Times, the Washington Post and most recently he was the subject of a profile in Discover Magazine (June, 2014). An avid mountaineer he is a regular contributor to the climbing and exploration journal Alpinist and his latest book, entitled, Columbus’ Book of Privileges, 1502: the Claiming of a New World, was published in September, 2014. Hessler is also a Lecturer in Early American Archaeology and the Environment at the Graduate School of Advanced Studies at Johns Hopkins University. You can read more about him here.
Michael Ratcliffe is an assistant division chief in the U.S. Census Bureau’s Geography Division. Throughout his career, he has worked at the intersection of the conceptual and the operational, defining boundaries for places, urban and rural areas, and metropolitan areas. Ratcliffe’s first published poem, “Jessup,” appeared in You Are Here: The Journal of Creative Geography. Since then, his poems have appeared in various print and on-line journals, including Deep South Magazine, Commonthought Magazine, Kumquat Poetry, Free State Review, and Dead Beats Literary Blog.
Shirley J. Brewer was born and raised in Rochester, New York, and moved to Maryland for careers in speech therapy and poetry. She loves to travel, but cannot fold a map. Recent poems have appeared in the Comstock Review, Little Patuxent Review, Pearl, Passager, The Cortland Review, and other journals. Her two books of poetry are A Little Breast Music, 2008, Passager Books, and After Words, 2013, Apprentice House/Loyola University.
Leslie Harrison is the author of Displacement, selected by Eavan Boland as the 2008 Katherine Nason Bakeless prize winner in poetry from the Bread Loaf Writers’ Conference. Displacement was published by Mariner Books, a division of Houghton Mifflin Harcourt, in 2009. She was born in Germany and raised mostly in New Hampshire. She holds graduate degrees from The Johns Hopkins University and The University of California, Irvine. Poems have appeared in journals including Poetry, The New Republic, The Kenyon Review, FIELD, Subtropics, Pleiades, Orion and elsewhere. A former photojournalist, book designer and publishing manager, Harrison has held a scholarship and fellowship at The Sewanee Writers’ Conference and a fellowship at The Bread Loaf Writers’ Conference. In 2011 she was awarded a fellowship in literature from The National Endowment for the Arts. She was the 2010 Philip Roth resident in poetry at Bucknell University, and then a visiting assistant professor in poetry and creative nonfiction at Washington College. In the fall of 2012 she joined the full-time faculty at Towson University.
Clarinda Harriss is a professor emerita of English at Towson University where for many decades she was the faculty “overseer” of GRUB STREET, Towson’s award-winning literary magazine. She is the author of 8 books, including, most recently, DIRTY BLUE VOICE, MORTMAIN, and THE WHITE RAIL. She has directed BrickHouse Books, Inc., Baltimore’s oldest literary press, for many years. One of her main research interest continues to be prison writers.
Barbara Morrison, who writes under the name B. Morrison, is the author of a memoir, Innocent: Confessions of a Welfare Mother, and two poetry collections, Terrarium and Here at Least. She conducts writing workshops and, as the owner of a small press, speaks about publishing and marketing. She tweets regularly about poetry @bmorrison9, and her award-winning work has been published in anthologies and magazines. Visit her website and Monday Morning Books blog at http://www.bmorrison.com.
Mark Cottman In 1999, after a successful career as an architectural engineer, Mark Cottman decided to become a full time artist. He knew then his decision would lead to a more fulfilling existence. Born and raised in Baltimore, this self taught, award winning artist, favors a large variety of subject matter. “Through my art and words”, Cottman says, “I feel it’s necessary to contribute something of meaning in this world. I believe there is no ‘us’ or ‘them’ only ‘we’. We all share the Earth as our home. Only through a conscious mind can we really know ourselves and find peace.”In 2010, Cottman founded and established the Mark Cottman Gallery. Mark Cottman Gallery is committed to raising consciousness through Mark’s artwork and writings. The gallery also gives back to the community through partnering with non-profit and community based organizations.1 x 144 Traveledn on canvasmounted on masonite